摘要:
									20世纪60年代前后,新批评在美国遭遇发展瓶颈,源自欧洲大陆的哲学思潮则迅速生根发芽,推动着文学批评朝着"批评理论"发生转向。当代美国批评理论发源于尔湾,作为"后新批评"文论研究批判性视角的转变,彰显着跨学科的开放性立场。因雅克·德里达、希利斯·米勒等重要学者加盟,尔湾学派充分继承了耶鲁学派的解构传统,又在批评理论方向上引领潮流。虽然批评理论使得文学批评日渐远离"纯文学",却在"解辖域化"中实现了文学批评从"单一性"向"多元性"的块茎繁殖,不但打开了封闭的文本结构,还在跨学科交叉结合中重建了文学研究与现实及政治之间的广泛关联。在欧陆哲学的美国化改造中,当代美国批评理论也存在"误读型"理论移植和"学院化"造成的批判潜能不足等问题,却仍是新批评之后文论演进的范式选择,代表着文学理论的走向。
								
								 
							
								
										Abstract:
										Around the 1960s, New Criticism encountered development bottlenecks in the United States, and the philosophical trends originated from the continent European quickly took root and sprouted, driving literary criticism towards critical theory. Different from the ideological sharpness of the critical theory of the Frankfurt School in Germany, the contemporary American critical theory is a transformation of critical perspective of 'post-new criticism', demonstrating an interdisciplinary critical approach. Contemporary American critical theory originated from UC Irvine, and with the joining of important scholars such as Jacques Derrida and J. Hillis Miller, the Irvine School not only inherited the deconstructive tradition of the Yale School, but also led the trend in the direction of critical theory. Although critical theory has gradually moved literary criticism away from 'pure literature', the value of literary research should not be underestimated. At present, the development of critical theory is shifting from literary text to the broad cultural and political space, emphasizing the diversification of theoretical discourse in different fields such as political philosophy, gender identity, media art, ecological environment, and war refugees. This is also the future of critical theory.