《故事新编》手稿的时间意识及对记忆研究的启示—以《铸剑》为中心的探讨
The Time Consciousness of the Manuscript of New Stories and Its Inspiration for the Study of Memory
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摘要: 通过校辑鲁迅《故事新编》手稿,笔者发现在《故事新编》手稿与其他版本之间的改动与差异,是有一定规律可循的,这些改动与差异,是极“有意味的形式”。将这些文本中从字、词、句的增删修改到修辞手法的变异,与鲁迅的创作心境和文化心理结合在一起进行分析,可以更充分并切实地剖析《故事新编》纸面背后的动态的心理故事。而《故事新编》手稿中字、词、句的增删修改,一个突出的特点是表示时间与时态的词汇的改动,通过辨析这种改动,探测鲁迅的时间意识,以及其记忆“杂糅”结构中隐含的整体性,可约略窥见其创作心境与文化心理的某个侧面。简言之,即一种在“终末论”光照下,强调伦理的进化的、具有反讽的整体性的时间意识。Abstract: Through the compilation of Lu Xun’s manuscript of New Stories(《故事新编》), the author found that the changes and differences between the manuscript and other versions have some certain rules to follow. These changes and differences are extremely “meaningful forms”. If we analyze these additions and deletions of words, sentences and the variations of rhetorical devices, and analyze them with Lu Xun’s mood and cultural psychology, we can analyze the behind meaning of New Stories more fully and effectively. And a prominent feature of the addition, deletion and modification of words and sentences in the manuscript of New Stories is the change of vocabulary indicating time and tense. By analyzing this change, Lu Xun’s time consciousness and his memory structure are available. In short, it is a kind of time consciousness with an ironic integrity, which emphasizes the evolution of ethics under the illumination of eschatology.
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