美学的两个维度
作者简介:郭勇健,厦门大学中文系教授(福建厦门361005)。
摘要: 美学应当具有两个维度,即作为知识/科学的美学和作为生活/文化的美学,或简称为“系统美学”和“审美文化”。系统美学属于“理”的研究,审美文化属于“事”的研究;系统美学的言说方式是美学概念、命题、论证,审美文化的言说方式是审美意识、警句、描述。为美学扩充一个审美文化的维度,就能超越美学的知识论取向,并化解理论与实践的对立。超越美学的知识论取向,并非否定美学是科学或知识,而是主张美学不必囿限于科学或知识。作为知识/科学的美学源于西方,作为生活/文化的美学则是非西方文化也拥有的。在审美文化的意义上,应当承认古代中国已有了美学。“中国美学”同“日本美学”一样,通过美学的审美文化之维而获得合法性。“中国美学”也有两个维度,即古代审美文化的维度和现代系统美学的维度,前者无需索要普遍性,后者亦可追求普遍性。
Two Dimensions of Aesthetic
Abstract: Aesthetics should have two dimensions: aesthetics as knowledge/science and aesthetics as life/culture,or “systematic aesthetics” and “aesthetic culture” for short.Systematic aesthetics is a kind of theory,while aesthetic culture is the study of facts.Systematic aesthetics is constituted by concepts,propositions,and arguments,while main elements in aesthetic culture are aesthetic consciousness,aphorisms,and descriptions.By expanding the dimension of aesthetic culture for aesthetics,we can transcend the epistemological orientation of aesthetics and dissolve the opposition between theory and practice.To go beyond epistemological orientation of aesthetics is not to deny that aesthetics is a kind of science or knowledge,but to argue that aesthetics need not be confined to science or knowledge.While aesthetics as knowledge/science originates from the West,aesthetics as life/culture is possessed by nonWestern cultures as well.In the sense of aesthetic culture,it should be recognized that aesthetics already existed in ancient China.Chinese aesthetics,like Japanese aesthetics,gains legitimacy through the aestheticcultural dimension of aesthetics.“Chinese aesthetics” also has two dimensions,namely,the dimension of ancient aesthetic culture and the dimension of modern systematic aesthetics,the former need not to be claimed as universality,while the latter can pursue it.