自述与众声:非虚构文学中的素人写作——以范雨素和陈年喜为例
作者简介:项静,华东师范大学中文系副教授(上海 200241)
基金项目:
本文系国家社科基金项目“媒介融合视野下的中国非虚构写作研究”(21BZW147)阶段性成果
摘要: 近十年来,中国重要的门户网站创办了众多非虚构写作平台,刊发了大量素人作者书写的自我和他人的故事,被媒体称为素人写作。素人写作以其多层次多维度的生活经验、写作者的自我形象、晓畅真挚的表达风格、新媒体传播方式,成为引起广泛关注的文学现象。本文以素人写作中具有较大社会关注度的范雨素和陈年喜为例,分析了两位素人作者作品中“真人真事”自述的特质,文学表达上借鉴和融合纯文学的方法,通过新媒体的传播方式,在自我形象塑造中表达出社会底层劳动者独特的经验、美学形式和思想谱系。素人写作在新媒体时代融贯了启蒙文学和社会主义文学传统,实现了对社会问题和“众声”的表达,提供了我们这个时代思想文献的基层基础。
Self-reporting and Voices: Plain Writing in Nonfiction Literature— A Case Study of Fan Yusu and Chen Nianxi
Abstract: In the past decade, China’s important portal websites have created many non fiction writing platforms and published a large number of stories about themselves and others written by ordinary writers, which are called “plain writing” by the media. With its multi-level and multi-dimensional life experience, the writer’s self-image, clear and sincere expression style, and new media communication mode, plain writing has become a literary phenomenon that has attracted wide attention. This paper takes Fan Yusu and Chen Nianxi, who have great social concern in their writings, as examples, to analyze the characteristics of the self narration of “real people and real things” in the works of two ordinary writers. In terms of literary expression, it uses the method of pure literature for reference and integration, and expresses the unique experience, aesthetic form and ideological pedigree of the social bottom workers in self image shaping through the communication mode of new media. In the new media era, plain writing has integrated the tradition of enlightenment literature and socialist literature, realized the expression of social problems and “public voices”, and provided the basic foundation of ideological literature in our era.