诗学模式/阐释学模式:生产性文学批评的解读方法
The Poetic Model/Hermeneutic Model: The Interpretation Approach to Productive Literary Criticism
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摘要: 在20世纪星汉灿烂、洪波涌起的文学批评中,阐释学是重要一翼,它处于文学批评从形式主义到历史主义的转折点,肩负着去故存新的天命。阐释学成为20世纪文学批评的重镇并非一蹴而就,而是有着漫长的过程,经历了从以施莱尔马赫、狄尔泰为代表的古典阐释学向以海德格尔、伽达默尔为代表的现代阐释学的转捩,其余波至今不息。在此过程中,阐释学取得的进展多多,其中一个值得关注之处在于,它作为一种解读方法,从诗学模式转向了阐释学模式。这两种解读模式的碰撞与转换,激发和推动了文学批评的观念生产、知识增长和理论建构,使得阐释学成为生产性文学批评的突出标志。Abstract: Hermeneutics, staying at the turning point of literary criticism from formalism to historicism and shouldered the destiny of eliminating the old and preserving the new, played an important role among the varied theories of literary criticism of the 20th century. It had gone through a long process, but not happened overnight, since hermeneutics became an important center of literary criticism in the 20th century, which is from the classical one represented by Schleiermacher and Dilthey to the modern one represented by Heidegger and Gadamer and has left its aftermath to this day. In this process, hermeneutics has made a lot of progress, one of which is worth paying attention to is that as a method of interpretation, it has shifted from a poetic model to a hermeneutic model. The collision and transformation of these two modes of interpretation stimulate and promote the concept production, knowledge growth and theoretical construction of literary criticism, making hermeneutics a prominent symbol of productive literary criticism.
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