传播接受与中国新诗史重构论
作者简介:方长安,武汉大学文学院教授(湖北武汉 430072)
摘要: 百年新诗创作史与百年新诗传播接受史始终缠绕在一起,这是新诗的一个重要特点,可以说没有新诗的传播接受,就不可能有新诗创作的不断突围与发展。但是既有的文学史、新诗史著作所建构的新诗史,严格意义上讲,并不包括新诗传播接受内容。基于这一状况,以传播接受为视角,重构新诗历史,或能尽可能地还原新诗史的真实地貌,揭示其内在生态特征与动力机制。重构将以新诗创作发展史为基点、主轴与目的诉求,以传播接受事实为视野与依据,透视、解读创作演变史,传播接受构成创作演变史的有机部分,使新诗史不只是创作事实的呈现史,而是一部从传播接受维度揭示新诗之中国诗意、诗性的生成演变史,一部敞开新诗现代性书写、传播与意义增值的新诗史。
Transmission-Reception and the Reconstruction of Chinese New Poetry History
- Available Online:
2022-10-20
Abstract: The creation history of Chinese New Poetry and the transmission-reception history of Chinese New Poetry are always intertwined in the past 100 years. It is impossible to have the continuous breakthrough and development of Chinese New Poetry creation without the transmission-reception of Chinese New Poetry. Nevertheless, the existing literary history and the Chinese New Poetry history constructed by the writings of Chinese New Poetry do not technically include the transmission-reception of Chinese New Poetry. Accordingly, this paper proposes to reconstruct the history of Chinese New Poetry with the perspective of transmission-reception to give the original appearance to history as much as possible, revealing its inherent ecological characteristics and dynamic mechanism. The reconstruction takes the history of Chinese New Poetry’s creation and development as the basis, main axis, and purpose, and also takes the transmission-reception of facts as the vision and basis, to penetrate and interpret the history of creation and evolution. Transmission-reception forms an integral part of the history of creation and evolution, which makes the history of Chinese New Poetry not only a presentation history of the facts of creation but also a generation and evolution history of Chinese New Poetry’s poetic nature from the transmission-reception dimension. Furthermore, it is also a history of demonstrating the modernity writing, transmission, and meaning-enhancing of Chinese New Poetry.