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Volume 52 Issue 1
February 2020
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Citation: Lijun CHEN. The Spatial Construction of Shaoxing in “Lu Xun Image”[J]. Academic Monthly, 2020, 52(1): 142-150. shu

The Spatial Construction of Shaoxing in “Lu Xun Image”

  • The Shaoxing space is the most stable, mature and unequivocal space intention in “Lu Xun image”. There are different focuses and expressions in the three types of works, namely film documentary, film biopics and drama biopics, which reflect different Shaoxing styles in “Lu Xun’s image history”. Shaoxing space is composed of three different codes: landscape, scenery, and style. Their coding rules represent the cognitive mode of Lu Xun’s image, and also change with the positioning of Lu Xun’s image and media influence. The Shaoxing space also forms a specific program: the relationship between the picture and the sound, the line of sight setting in the Shaoxing space, the relationship between the human and the object, and the order and proportion of the image content show a certain regularity, which also implies the power order of the space. The formation of the visual mechanism inside and outside Shaoxing’s space image is subordinated to the “Lu Xun image” construction. It has the function of providing a critical basis for Lu Xun’s image of modernity goal, constructing a rich emotional interpretation space and forming the emotional atmosphere of Lu Xun’s image.
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          The Spatial Construction of Shaoxing in “Lu Xun Image”

          Abstract: The Shaoxing space is the most stable, mature and unequivocal space intention in “Lu Xun image”. There are different focuses and expressions in the three types of works, namely film documentary, film biopics and drama biopics, which reflect different Shaoxing styles in “Lu Xun’s image history”. Shaoxing space is composed of three different codes: landscape, scenery, and style. Their coding rules represent the cognitive mode of Lu Xun’s image, and also change with the positioning of Lu Xun’s image and media influence. The Shaoxing space also forms a specific program: the relationship between the picture and the sound, the line of sight setting in the Shaoxing space, the relationship between the human and the object, and the order and proportion of the image content show a certain regularity, which also implies the power order of the space. The formation of the visual mechanism inside and outside Shaoxing’s space image is subordinated to the “Lu Xun image” construction. It has the function of providing a critical basis for Lu Xun’s image of modernity goal, constructing a rich emotional interpretation space and forming the emotional atmosphere of Lu Xun’s image.

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