Welcome to visit ACADEMIC MONTHLY,Today is

Volume 53 Issue 3
May 2021
Article Contents

Citation: Fuwen TAO. National Memory Production and Politics of “Warship Island”[J]. Academic Monthly, 2021, 53(3): 170-180. shu

National Memory Production and Politics of “Warship Island”

  • The Warship Island located in Nagasaki, Japan, was once the place of historical reference and memory for Japan’s forced campaign against miners during World War II, and it is a “negative heritage” of history. Through media deformation, the image of Warship island has undergone multiple changes. It is not only a landscape memory, but also a heritage memory, from an island with a large population to a famous ghost town ruins; it is also a heritage memory, which is transformed into a “world cultural heritage” as a “Meiji industrial heritage” and developed into a double standard and obscure “black tourism”; then it is also an emotional memory—Warship Island, a South Korean film with the same name, reveals its dark history with a strong critical spirit and becomes a new symbol of Asian Anti Japanese films. Due to the polysemy of “negative heritage” and its historical changes, Warship island finally participated in the operation mechanism of nationalism in Japan and South Korea in the form of national memory, showing three aspects: ethical individuality, victim consciousness and memory polishing. Historical ruminants need to make a thorough historical liquidation in order to establish a real common historical consciousness.
  • 加载中

Article Metrics

Article views: 1398 Times PDF downloads: 12 Times Cited by: 0 Times

Metrics
  • PDF Downloads(12)
  • Abstract views(1398)
  • HTML views(302)
  • Latest
  • Most Read
  • Most Cited
        通讯作者: 陈斌, bchen63@163.com
        • 1. 

          沈阳化工大学材料科学与工程学院 沈阳 110142

        1. 本站搜索
        2. 百度学术搜索
        3. 万方数据库搜索
        4. CNKI搜索

        National Memory Production and Politics of “Warship Island”

        Abstract: The Warship Island located in Nagasaki, Japan, was once the place of historical reference and memory for Japan’s forced campaign against miners during World War II, and it is a “negative heritage” of history. Through media deformation, the image of Warship island has undergone multiple changes. It is not only a landscape memory, but also a heritage memory, from an island with a large population to a famous ghost town ruins; it is also a heritage memory, which is transformed into a “world cultural heritage” as a “Meiji industrial heritage” and developed into a double standard and obscure “black tourism”; then it is also an emotional memory—Warship Island, a South Korean film with the same name, reveals its dark history with a strong critical spirit and becomes a new symbol of Asian Anti Japanese films. Due to the polysemy of “negative heritage” and its historical changes, Warship island finally participated in the operation mechanism of nationalism in Japan and South Korea in the form of national memory, showing three aspects: ethical individuality, victim consciousness and memory polishing. Historical ruminants need to make a thorough historical liquidation in order to establish a real common historical consciousness.

          HTML

        目录

        /

        DownLoad:  Full-Size Img  PowerPoint
        Return