想象的理性—马克思美学体系中隐喻的认知维度
Imaginative Rationality
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摘要: 从美学角度审视,隐喻是马克思介入文艺问题的一种独特认知方式,同时也是后世学者探究马克思美学思想构成及其演进脉络的重要路径。以视觉隐喻、有机体隐喻、“基础−上层建筑”隐喻三大隐喻系统的复杂关联为表征,马克思美学思想既呈现出从特定文艺视域向社会历史视域的开放与转换,又呈现出社会历史视域中辩证法与唯物史观的交叠互通。马克思美学思想的阐释史表明,单一隐喻确具既显现又遮蔽事物特征的认知局限,因此只有从圆整的文本视野出发,坚持以“基础−上层建筑”隐喻为主导,同时进行多种隐喻的融合互释,才能实现对马克思美学思想的准确理解与全景观照。Abstract: From the perspective of aesthetics, metaphor is a unique way for Marx to get involved in literary and artistic issues, and it is also an important way for later scholars to explore the composition and evolution of Marx’s aesthetic thoughts. Represented by the complex relations among the three metaphorical systems of visual metaphor, organic metaphor and “base-superstructure” metaphor, Marx’s aesthetic thought not only shows the opening and transformation from the specific literary perspective to the social historical perspective, but also shows the overlapping supplement of dialectics and historical materialism in the social historical perspective. The history of Marx’s aesthetic thoughts interpretation shows that single metaphor has the cognitive limitations of both show and hide things’ features, and only from the view of full text, adhering to the “base-superstructure” metaphor as the leading factor while performing mixed interpretations of various metaphors, then can we achieve the accurate and complete understanding of Marx’s aesthetic thoughts.
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Key words:
- Marx /
- aesthetics /
- metaphor
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