论延安文艺运动中的鲁迅与高尔基“二重奏”
On the “Duet” of Lu Xun and Gorky in Yan’an Literary and Art Movement
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摘要: 鲁迅生前曾被人比为“中国的高尔基”,巧的是,他和高尔基曾在延安文艺座谈会后被毛泽东一同任命为延安“文艺大军总司令”。这样的“高配”,体现了延安文艺的价值取向。毛泽东借重高尔基出身工农而又不脱离底层人民的“无产阶级经典作家”“文学家的政治家”等身份标签为延安文艺创造“镜像”,也经由阐释鲁迅的“孺子牛”“革命家”以及“党外的布尔什维克”等鲁迅精神,将其树立为建设中华民族新文化的方向以及“人民文艺家”的旗帜。毛泽东在看取高尔基和鲁迅的着眼点上既有交叉又各有侧重,通过对两人人格、精神、价值的阐释和提炼而为延安文艺运动赋能。毛泽东对鲁迅的阐释强调了其政治性的一面,这是对“政治鲁迅”较早、同时也是颇具历史感的评价。史料也表明,毛泽东对“政治鲁迅”的解读,受到了瞿秋白的影响。
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关键词:
- 高尔基|鲁迅|毛泽东|延安文艺运动
Abstract: Gorky and Lu Xun,known as “China’s Gorky”,were appointed by Mao Zedong as the “commander-in-chief of the literary and art army” in Yan’an after the Yan’an Literature and Art Symposium.This shows that in Mao Zedong’s eyes,they have equally important status and value.Mao Zedong used Gorky’s identity labels such as “proletarian classic writer” and “politician of litterateurs” who was born as a worker and peasant and never separated from the grassroots people to create a “mirror image” for Yan’an literature and art.He also established Lu Xun as the “direction” for building a new Chinese culture and the “banner” of “people’s literary and art workers” by interpreting Lu Xun’s spirit of unyieldingly opposing imperialism and feudal bureaucracy and being “a willing ox serving the children”.Mao Zedong had both intersections and different emphases in his viewpoints on Gorky and Lu Xun.Through the interpretation and refinement of the personalities,spirits and values of the two,he “empowered” the Yan’an literary and art movement.Mao Zedong’s interpretation of Lu Xun emphasized the “political” side of him.This is an early and also a quite historical evaluation of “political Lu Xun”,which can stand the test of time. -

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