摘要:
									北魏礼制是由以王朝祭礼为核心的正祀及不被中央政府掌控的杂祀两部分有机构成的,其正统性是在王朝祭礼与杂祀的碰撞、冲突、交融乃至转化中,通过与政局变动的有效磨合而逐步确立的。王朝祭礼包含双祭典(原始祭典与华夏祭典)与三核心(西郊、南北郊和圜丘方泽)。孝文改制后以西郊为核心的原始祭典遭到沙汰,由王朝祭礼转为杂祀,但其在"胡化逆袭"浪潮中仍发挥政治粉饰功能。西郊成立的关键在于"西向拜天"的朝向,而非"西郊"的地点;其在部落联盟与北魏前中期占据核心、力压南郊的根源,在于其完美契合联盟机制独具的包容力和转变力。西郊具有浓重的萨满宗教色彩,仪式根源发端于游牧世界普遍存在的世界树观念:方形祭坛象征世界树扎根的大地,天赐二年"方色"的加入是华夏典制对原始祭典的部分渗透;学界关于"木主为悬挂牲体支架"的说法有待商榷,拟人化装饰的"木主"更大可能是沟通神灵或降神的工具;数字"七"政治层面的来源是帝室十姓中的"七族",作为仪式的数字标准,具有分配阶层内部权益、调和矛盾的功能。
								
										关键词:
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													北魏 / 
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													杂祀 / 
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													正祀 / 
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													转化 / 
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													西郊 
 
							
								
										Abstract:
										The ritual system of the Northern Wei Dynasty was organically composed of two parts:official sacrifices centered on dynastic sacrificial rituals, and unofficial sacrifices not controlled by the central government. Its legitimacy was gradually established through effective adaptation to political changes amid the collision, conflict, integration, and even transformation between dynastic sacrificial rituals and unofficial sacrifices. Dynastic sacrificial rituals consisted of dual rituals (primitive rituals and Huaxia rituals) and three cores (Western Suburb, Northern and Southern Suburbs, and Round Mound and Square Marsh) . After Emperor Xiaowen's reform, the primitive rituals centered on the Western Suburb were eliminated, transforming from dynastic sacrificial rituals into unofficial sacrifices; however, they still played a role in political whitewashing during the "wave of reversal to Hu customs". The key to the establishment of the Western Suburb lay in the orientation of "worshipping heaven facing west" rather than the location of the Western Suburb. The reason why it occupied a core position and overshadowed the Southern Suburb during the tribal alliance period and the early to middle Northern Wei Dynasty was rooted in its perfect alignment with the unique inclusiveness and adaptability of the alliance mechanism. The Western Suburb had strong Shamanistic religious overtones, and the origin of its rituals stemmed from the widespread concept of the world tree in the nomadic world:the square altar symbolized the earth where the world tree took root. The incorporation of "square colors" in the second year of Tianci marked a partial infiltration of Huaxia institutions into primitive rituals. The academic view that "the wooden idol served as a rack for hanging sacrificial animals" is open to question; the anthropomorphically decorated "wooden idol" was more likely a tool for communicating with or invoking gods. Politically, the number "seven" derived from the "seven clans" among the ten imperial surnames. As a numerical standard in rituals, it functioned to distribute internal interests among social strata and reconcile conflicts.