海派京剧：五四新文化的有力推手与重要角色

陈伟

English

陈伟

引用本文: 陈伟. 海派京剧：五四新文化的有力推手与重要角色[J]. 学术月刊, 2019, 51(8): 122-131. shu

Citation: Wei CHEN. The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture[J]. Academic Monthly, 2019, 51(8): 122-131. shu

海派京剧：五四新文化的有力推手与重要角色

陈伟

作者简介: 陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）;

中图分类号: I207

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

Wei CHEN

Available Online: 2019-08-01
CLC number: I207

摘要: “海派京剧”并不是指在上海演出的京剧，而是指清末民初时期在上海形成的一种具有全新内涵的戏剧样式。具体而言，“海派京剧”特指自1867年传统京剧南下进入上海，深受上海本地开埠后发达的工商社会影响和文化转型熏陶，开始演出新的现实故事，传递新的社会观念，表达新的审美体验，引领新的审美趋向，并结合商业经营和运作特点，在剧目题材、道具布景、表现手法等诸多方面均表现出强烈的革新意识，逐渐形成一种完全不同于传统的“海派京剧”。它对中国现代文化产生了广泛的影响。海派京剧根据市民的需求演出现实题材，基于社会的条件倡导求真写实，依据市场的销售推广连台本戏，立足中外文化交流而传播新兴思想。它体现了中国美学思想从“古典”向“现代”的转型，也反映了中国社会文化从“古代”向“现代”的转换。这是一个从量变到质变的过程，前后数十年时间。海派京剧全程参与和承载着这个过程，对五四新文化的促进和积淀做出了重要的贡献，是其有力的推手与重要的角色。
- 海派京剧 /
- 五四新文化 /
- 美学转型
Abstract: The Shanghai Style Beijing Opera does not refer to Beijing Opera performed in Shanghai, but refers to a new artistic style which is formed in Shanghai during the late Qing Dynasty and the early Republic of China. Since the traditional Beijing Opera entered Shanghai in 1867, it has been deeply influenced by the industrial and commercial influence and cultural transformation developed by Shanghai. It has begun to perform new realistic stories, convey new social concepts, express new aesthetic experiences, and lead new aesthetic trends. Moreover, combining with the characteristics of business operations, it has shown a strong sense of innovation in many aspects such as the theme, the set and the techniques. In that a way, " Shanghai style Beijing Opera” which is completely different from the traditional style is gradually formed. It has had a broad impact on Chinese modern culture. The Shanghai Style Beijing Opera performs realistic themes to meet the needs of the citizens, advocates truth-seeking based on social conditions, promotes drama serial according to market, and spreads new ideas based on cultural exchanges between China and abroad. It not only embodies the transition of Chinese Aesthetics from " Classical” to " Modern”, but also reflects the change of Chinese social culture from " Ancient” to " Modern”. This is a long process from quantitative change to qualitative change, which took decades. The Shanghai Style Beijing Opera has participated in and carried this process, and has made important contributions to the promotion and accumulation of the May Fourth New Culture.
- the Shanghai Style Beijing Opera /
- the May Fourth New Culture /
- the transition in terms of aesthetics
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海派京剧：五四新文化的有力推手与重要角色

陈伟

作者简介:陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）

网络出版日期: 2019-08-01

关键词:

摘要: “海派京剧”并不是指在上海演出的京剧，而是指清末民初时期在上海形成的一种具有全新内涵的戏剧样式。具体而言，“海派京剧”特指自1867年传统京剧南下进入上海，深受上海本地开埠后发达的工商社会影响和文化转型熏陶，开始演出新的现实故事，传递新的社会观念，表达新的审美体验，引领新的审美趋向，并结合商业经营和运作特点，在剧目题材、道具布景、表现手法等诸多方面均表现出强烈的革新意识，逐渐形成一种完全不同于传统的“海派京剧”。它对中国现代文化产生了广泛的影响。海派京剧根据市民的需求演出现实题材，基于社会的条件倡导求真写实，依据市场的销售推广连台本戏，立足中外文化交流而传播新兴思想。它体现了中国美学思想从“古典”向“现代”的转型，也反映了中国社会文化从“古代”向“现代”的转换。这是一个从量变到质变的过程，前后数十年时间。海派京剧全程参与和承载着这个过程，对五四新文化的促进和积淀做出了重要的贡献，是其有力的推手与重要的角色。

English Abstract

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

Wei CHEN

Available Online: 2019-08-01

Abstract: The Shanghai Style Beijing Opera does not refer to Beijing Opera performed in Shanghai, but refers to a new artistic style which is formed in Shanghai during the late Qing Dynasty and the early Republic of China. Since the traditional Beijing Opera entered Shanghai in 1867, it has been deeply influenced by the industrial and commercial influence and cultural transformation developed by Shanghai. It has begun to perform new realistic stories, convey new social concepts, express new aesthetic experiences, and lead new aesthetic trends. Moreover, combining with the characteristics of business operations, it has shown a strong sense of innovation in many aspects such as the theme, the set and the techniques. In that a way, " Shanghai style Beijing Opera” which is completely different from the traditional style is gradually formed. It has had a broad impact on Chinese modern culture. The Shanghai Style Beijing Opera performs realistic themes to meet the needs of the citizens, advocates truth-seeking based on social conditions, promotes drama serial according to market, and spreads new ideas based on cultural exchanges between China and abroad. It not only embodies the transition of Chinese Aesthetics from " Classical” to " Modern”, but also reflects the change of Chinese social culture from " Ancient” to " Modern”. This is a long process from quantitative change to qualitative change, which took decades. The Shanghai Style Beijing Opera has participated in and carried this process, and has made important contributions to the promotion and accumulation of the May Fourth New Culture.

海派京剧：五四新文化的有力推手与重要角色

作者简介: 陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）;

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

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通讯作者: 陈斌, bchen63@163.com

海派京剧：五四新文化的有力推手与重要角色

作者简介:陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）

English Abstract

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

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海派京剧：五四新文化的有力推手与重要角色

作者简介: 陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）;

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

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通讯作者: 陈斌, bchen63@163.com

海派京剧：五四新文化的有力推手与重要角色

作者简介:陈伟，上海师范大学教授，上海师范大学中国语言文学创新团队成员（上海 200234）

English Abstract

The Shanghai Style Beijing Opera: An active Advocator and Important Member of the May Fourth New Culture

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