Citation:
ZHANG Wei， LYU Chenggang. Visual Rhetoric and “Liberation” Writing in ChinChaChi Pictorial[J]. Academic Monthly, 2023, 55(7): 152-162.
Visual Rhetoric and “Liberation” Writing in ChinChaChi Pictorial
-
Abstract
As the requisition and transformation of mass media by revolutionary discourse,the ChinChaChi Pictorial(《晋察冀画报》) not only represents the successful practice of revolutionary discourse and mass line against urban consumption discourse,but also creates the aesthetic paradigm of visual representation of “liberation” concept in the first half of the 20th century.Its rhetorical visual representation of the image in the structure of the bilingual “figuretext” intertextuality,theme and image in the form of comparative design or symbol of national spirit of symbolic metaphor rendering and portrait mythological construction features,has set up the potential connection between image forms and politics,which made the understanding of pictorial means based on the perspective of rhetoric possible.“Theory on photographic as a weapon” and “Talks at the Yan'an Forum on Art and Literary” set up the deep motivation and internal logic of the rhetorical expression of the concept of “liberation” from the context level.The illustration of the “liberation” writing in the ChinChaChi Pictorial,instead of a genetic characterization of pictorial enlightenment from the late Qing Dynasty to the Republic of China,is the internal demands of Communist Party of China for raising their cultural configurationin the process of mastering power discourse,whose acceptance and transformation of visual art and mass cultural viewpoints not only accomplished the value orientation of the ChinChaChi Pictorial,but also inspires the construction of visual arts in contemporary China.
-
-
References
-
Access
-
-
[1]
YANG Xiangrong
. . Academic Monthly,
2018, 50(6): 113-120.
-
[2]
. . Academic Monthly,
2017, 49(03): 131-140.
-
[3]
Ying XIA
. On the Bi-attributes of Enlightenment Philosophy and Marx’s Liberation Logic. Academic Monthly,
2021, 53(10): 17-29.
-
[4]
Xuanguo MAO
. Rhetorical Reading and Literary Interpretation. Academic Monthly,
2019, 51(6): 117-128.
-
[5]
Ling ZHAN
. The Transformation of Chinese Science Fiction from the Perspective of Enlightenment. Academic Monthly,
2019, 51(4): 128-138.
-
[6]
. . Academic Monthly,
2016, 48(09): 140-148.
-
[7]
Kangzhi ZHANG
. The Predicament of Emancipation and A New Starting of Historical Choice. Academic Monthly,
2019, 51(9): 70-81.
-
[8]
CAO Qinghua
. Repression/Liberation: A Set of Contrast in Lu Xun‘s Writings. Academic Monthly,
2023, 55(9): 161-169.
-
[9]
,
. . Academic Monthly,
2019, 51(11): 179-184.
-
[10]
ZHANG Zhongliang
. Practicability and Foresight of the CPC’s Literary and Artistic Policies of the War of Resistance Against Japanese Aggression. Academic Monthly,
2024, 56(2): 158-165.
-
[11]
. . Academic Monthly,
2020, 52(8): 5-5.
-
[12]
. . Academic Monthly,
2018, 50(02): 133-142.
-
[13]
NIE Minli
. Kant and Foucault： The Misread “Enlightenment” and Its Postmodern Intellectual Effects. Academic Monthly,
2023, 55(9): 14-21.
-
[14]
Bohai CHEN
. An Interpretation of Confucian View of “Sentiment and Disposition”. Academic Monthly,
2021, 53(9): 151-158.
-
[15]
Zhirong Zhu
. On the View of Imagery in Zhouyi. Academic Monthly,
2019, 51(2): 124-1.
-
[16]
Xingjiu ZHANG
. The View of “State” in Action. Academic Monthly,
2021, 53(8): 67-78.
-
[17]
Sheng LI
. Legal Rhetoric in Social-Historical Context: Macro Function under the View of Community Construction. Academic Monthly,
2021, 53(9): 113-128.
-
[18]
Yuefeng ZHOU
. From Revolution to Reform: Reorganizing The Emancipation and Reconstruction Semi-monthly and the Progressive Orientation of the Liang Qichao School. Academic Monthly,
2021, 53(12): 182-194.
-
[19]
Weidong ZHAO
. On the Two Main Sources of Yan’an Literature and Art System. Academic Monthly,
2021, 53(11): 147-156.
-
[20]
ZHANG Quanzhi， JIN Zhixian
. Lu Xun in “Talks at the Yan‘an Forum on Art and Literature”. Academic Monthly,
2023, 55(9): 142-151.
-
-
沪公网安备 31010102003103号
DownLoad: