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Volume 55 Issue 7
July 2023
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Citation: GUO Yongjian. Two Dimensions of Aesthetic[J]. Academic Monthly, 2023, 55(7): 142-151. shu

Two Dimensions of Aesthetic

  • Aesthetics should have two dimensions: aesthetics as knowledge/science and aesthetics as life/culture,or “systematic aesthetics” and “aesthetic culture” for short.Systematic aesthetics is a kind of theory,while aesthetic culture is the study of facts.Systematic aesthetics is constituted by concepts,propositions,and arguments,while main elements in aesthetic culture are aesthetic consciousness,aphorisms,and descriptions.By expanding the dimension of aesthetic culture for aesthetics,we can transcend the epistemological orientation of aesthetics and dissolve the opposition between theory and practice.To go beyond epistemological orientation of aesthetics is not to deny that aesthetics is a kind of science or knowledge,but to argue that aesthetics need not be confined to science or knowledge.While aesthetics as knowledge/science originates from the West,aesthetics as life/culture is possessed by nonWestern cultures as well.In the sense of aesthetic culture,it should be recognized that aesthetics already existed in ancient China.Chinese aesthetics,like Japanese aesthetics,gains legitimacy through the aestheticcultural dimension of aesthetics.“Chinese aesthetics” also has two dimensions,namely,the dimension of ancient aesthetic culture and the dimension of modern systematic aesthetics,the former need not to be claimed as universality,while the latter can pursue it.
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      WANG Zhenfu . Logical Structure of Category System in Chinese Aesthetics. Academic Monthly, 2024, 56(1): 141-154.

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      . . Academic Monthly, 2016, 48(11): 140-149.

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      Xiangzhan CHENG . The Theory of Aesthetic Appreciation: The Unique Aesthetic Conception of Environmental Aesthetics and Its Promotion of Aesthetic Principles. Academic Monthly, 2021, 53(2): 151-159.

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      Yongjian GUO . Intersubjectivity and Chinese Contemporary Aesthetics. Academic Monthly, 2019, 51(10): 139-149.

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      Chengji LIU . The Aesthetics of Rites-Music and Traditional China. Academic Monthly, 2021, 53(6): 171-182.

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      Lai HE . From “Universality of Concept” to “Universality of Practice”. Academic Monthly, 2022, 54(9): 5-13.

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      . . Academic Monthly, 2017, 49(08): 141-151.

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      . . Academic Monthly, 2018, 50(02): 114-122.

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      Yuan KONG . A Critical Study on the “Oriental” Paradox of Western Universal Narrative. Academic Monthly, 2022, 54(1): 127-137.

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      Xia ZHONG . Chinese Doctrine of “Aesthetics as the First Philosophy”. Academic Monthly, 2022, 54(7): 161-170.

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      . Where Will Aesthetics Go: Thomas Munro’s Way of Cross-civilization Comparative Aesthetics. Academic Monthly, 2018, 50(04): 108-117.

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      Pingyuan CHEN . Politics and Aesthetics of Voice. Academic Monthly, 2022, 54(1): 146-166.

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      XU Ming . Aesthetics and Cognitive Science. Academic Monthly, 2023, 55(8): 145-165.

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      . . Academic Monthly, 2017, 49(06): 17-25.

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      Jianping GAO . The Revival of Aesthetics at the Turn of the Century. Academic Monthly, 2020, 52(6): 111-121, 134.

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      Yanping GAO . Herder on Touching: Aesthetics of “Dunkelheit” (Darkness). Academic Monthly, 2018, 50(10): 130-139.

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      Ying XIAO . On the Aesthetic Meanings of the Dream of Red Massions. Academic Monthly, 2020, 52(9): 131-139.

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      . . Academic Monthly, 2017, 49(12): 122-133.

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      ZOU Huan . . Academic Monthly, 2018, 50(8): 140-148.

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      . . Academic Monthly, 2017, 49(07): 127-135.

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        Two Dimensions of Aesthetic

        Abstract: Aesthetics should have two dimensions: aesthetics as knowledge/science and aesthetics as life/culture,or “systematic aesthetics” and “aesthetic culture” for short.Systematic aesthetics is a kind of theory,while aesthetic culture is the study of facts.Systematic aesthetics is constituted by concepts,propositions,and arguments,while main elements in aesthetic culture are aesthetic consciousness,aphorisms,and descriptions.By expanding the dimension of aesthetic culture for aesthetics,we can transcend the epistemological orientation of aesthetics and dissolve the opposition between theory and practice.To go beyond epistemological orientation of aesthetics is not to deny that aesthetics is a kind of science or knowledge,but to argue that aesthetics need not be confined to science or knowledge.While aesthetics as knowledge/science originates from the West,aesthetics as life/culture is possessed by nonWestern cultures as well.In the sense of aesthetic culture,it should be recognized that aesthetics already existed in ancient China.Chinese aesthetics,like Japanese aesthetics,gains legitimacy through the aestheticcultural dimension of aesthetics.“Chinese aesthetics” also has two dimensions,namely,the dimension of ancient aesthetic culture and the dimension of modern systematic aesthetics,the former need not to be claimed as universality,while the latter can pursue it.

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