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Volume 54 Issue 7
November 2022
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Citation: Xia ZHONG. Chinese Doctrine of “Aesthetics as the First Philosophy”[J]. Academic Monthly, 2022, 54(7): 161-170. shu

Chinese Doctrine of “Aesthetics as the First Philosophy”

  • : “Aesthetics as the first philosophy” is a newly emerged important theoretical idea in the field of aesthetics, which has been represented both at home and abroad. This theoretical idea advocates that aesthetics should replace ontology as the first philosophy, and break through the traditional position of aesthetics as a branch of philosophy, thereby elevating it to a fundamental position of philosophy. This paper focuses on the theoretical idea of “aesthetics as the first philosophy” in Chinese aesthetics, represented by Li Zehou, Yang Chunshi, Pan Zhichang and Shang Jie. Chinese doctrine of “aesthetics as the first philosophy” draws its intellectual resources respectively from classical Chinese aesthetics, phenomenology and ontology, and postmodern aesthetics, with characteristics that are different from the Western idea of “aesthetics as the first philosophy”.
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      Yongjian GUO . Intersubjectivity and Chinese Contemporary Aesthetics. Academic Monthly, 2019, 51(10): 139-149.

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      Chunshi YANG . On the Poetical Characteristics of Chinese Aesthetics. Academic Monthly, 2019, 51(2): 144-151.

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      Guo Yongjian . . Academic Monthly, 2018, 50(5): 128-137.

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      Shuifa HAN . Husserl’s Transcendentality and Transcendence. Academic Monthly, 2021, 53(2): 13-35.

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      Zhiguo CHEN . The Multiple Statuses of Friendship and Their Evolution under the Phenomenological Perspective. Academic Monthly, 2020, 52(6): 29-43.

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      Zhenfu WANG . “Hermeneutics of Sunya the First Chapter”: Aesthetic Meaning of Sengzhao’s No Knowledge of Prajna and No Name for Nirvana. Academic Monthly, 2019, 51(11): 139-149.

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      Mingdong GU . The Philosophical and Aesthetic Foundations of Chinese and Western Fiction. Academic Monthly, 2019, 51(11): 127-138.

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      Dachun YANG . From Phenomenology of Spirituality to Phenomenology of Materiality. Academic Monthly, 2022, 54(1): 25-33.

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        Chinese Doctrine of “Aesthetics as the First Philosophy”

        Abstract: : “Aesthetics as the first philosophy” is a newly emerged important theoretical idea in the field of aesthetics, which has been represented both at home and abroad. This theoretical idea advocates that aesthetics should replace ontology as the first philosophy, and break through the traditional position of aesthetics as a branch of philosophy, thereby elevating it to a fundamental position of philosophy. This paper focuses on the theoretical idea of “aesthetics as the first philosophy” in Chinese aesthetics, represented by Li Zehou, Yang Chunshi, Pan Zhichang and Shang Jie. Chinese doctrine of “aesthetics as the first philosophy” draws its intellectual resources respectively from classical Chinese aesthetics, phenomenology and ontology, and postmodern aesthetics, with characteristics that are different from the Western idea of “aesthetics as the first philosophy”.

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