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Volume 52 Issue 1
February 2020
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Citation: Lijun CHEN. The Spatial Construction of Shaoxing in “Lu Xun Image”[J]. Academic Monthly, 2020, 52(1): 142-150. shu

The Spatial Construction of Shaoxing in “Lu Xun Image”

  • The Shaoxing space is the most stable, mature and unequivocal space intention in “Lu Xun image”. There are different focuses and expressions in the three types of works, namely film documentary, film biopics and drama biopics, which reflect different Shaoxing styles in “Lu Xun’s image history”. Shaoxing space is composed of three different codes: landscape, scenery, and style. Their coding rules represent the cognitive mode of Lu Xun’s image, and also change with the positioning of Lu Xun’s image and media influence. The Shaoxing space also forms a specific program: the relationship between the picture and the sound, the line of sight setting in the Shaoxing space, the relationship between the human and the object, and the order and proportion of the image content show a certain regularity, which also implies the power order of the space. The formation of the visual mechanism inside and outside Shaoxing’s space image is subordinated to the “Lu Xun image” construction. It has the function of providing a critical basis for Lu Xun’s image of modernity goal, constructing a rich emotional interpretation space and forming the emotional atmosphere of Lu Xun’s image.
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    1. [1]

      Yuanbao GAO . Lu Xun Belongs to the World More Than to East Asia. Academic Monthly, 2020, 52(1): 121-141.

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      Yuanbao GAO . A Brief History of Studies on Image Pedigree of Figures in Lu Xun’s Essays: A Continuous Answering to “Qu Qiubai’s Question”. Academic Monthly, 2022, 54(3): 162-171.

    3. [3]

      Xixiu CAOThe Blessing、The Weeds and Lu Xun’s Unique Philosophy of Life. Academic Monthly, 2018, 50(11): 141-148.

    4. [4]

      CAO Qinghua . Repression/Liberation: A Set of Contrast in Lu Xun‘s Writings. Academic Monthly, 2023, 55(9): 161-169.

    5. [5]

      Donglan HUANG . Space as A Metaphor. Academic Monthly, 2019, 51(2): 152-166.

    6. [6]

      . . Academic Monthly, 2016, 48(08): 92-99.

    7. [7]

      Haifei HUANG . The Interaction between the Compilation of The Complete Works of Lu Xun and Philology of Modern Chinese Literature. Academic Monthly, 2021, 53(4): 152-161.

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      CHU Xiaobai . Writing Revenge with the Body —— On the Rewriting of “The Crucifixion” in Lu Xun‘s Revenge (II). Academic Monthly, 2023, 55(9): 152-160.

    9. [9]

      ZHANG Quanzhi, JIN Zhixian . Lu Xun in “Talks at the Yan‘an Forum on Art and Literature”. Academic Monthly, 2023, 55(9): 142-151.

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      . . Academic Monthly, 2017, 49(08): 124-131.

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      . . Academic Monthly, 2016, 48(06): 111-120.

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      Yu WANG . Re-research on Lu Xun’s Choice of Being a Literary Physician Instead of a Western Medicine Doctor from the Perspective of “Hygienic Modernity”. Academic Monthly, 2021, 53(8): 163-173.

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      WANG Yun . Lu Xun‘s Two Stances on Judging Artistic Justice. Academic Monthly, 2023, 55(9): 131-141.

    14. [14]

      Kailiang Yu . Guoxiang’s Theory of Xuanming and the Metaphysical Way of the Creation of Aesthetic Yixiang. Academic Monthly, 2019, 51(2): 130-1.

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      CHEN Jianhua . . Academic Monthly, 2018, 50(7): 60-69.

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      Yuhong HU . Reasonable Partition: The Necessary Separating Space in Maintaining Human Dignity. Academic Monthly, 2021, 53(12): 106-120.

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      Weimin MO . The Implications of Political Philosophy in Michel Foucault’s “Hospital Space” Thought. Academic Monthly, 2019, 51(5): 15-23.

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      Ying WUFeizhou ZHOU . The Spatial Identity Right: The Citizenization of Peasant-turned-citizen. Academic Monthly, 2021, 53(10): 142-153.

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          The Spatial Construction of Shaoxing in “Lu Xun Image”

          Abstract: The Shaoxing space is the most stable, mature and unequivocal space intention in “Lu Xun image”. There are different focuses and expressions in the three types of works, namely film documentary, film biopics and drama biopics, which reflect different Shaoxing styles in “Lu Xun’s image history”. Shaoxing space is composed of three different codes: landscape, scenery, and style. Their coding rules represent the cognitive mode of Lu Xun’s image, and also change with the positioning of Lu Xun’s image and media influence. The Shaoxing space also forms a specific program: the relationship between the picture and the sound, the line of sight setting in the Shaoxing space, the relationship between the human and the object, and the order and proportion of the image content show a certain regularity, which also implies the power order of the space. The formation of the visual mechanism inside and outside Shaoxing’s space image is subordinated to the “Lu Xun image” construction. It has the function of providing a critical basis for Lu Xun’s image of modernity goal, constructing a rich emotional interpretation space and forming the emotional atmosphere of Lu Xun’s image.

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