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Volume 54 Issue 7
November 2022
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Citation: Xuguang LIU. On Ethereality of Aesthetic[J]. Academic Monthly, 2022, 54(7): 149-160. shu

On Ethereality of Aesthetic

  • There is a spiritual factor that can be felt but cannot be analyzed rationally in the aesthetic and artistic works, which is both emotional and general or likes both the state of mind of the viewer and the state of being of the object. Kant calls the indefinable but perceptible “spirit” as “aesthetic idea”. He got a preliminary interpretation to it, and then those who really have the capacity of aesthetic appreciation inherit the intuition and perception of this “spirit”, and regard it as the real object of aesthetics. Kant has initiated this aesthetic inspiration land, which gleams explicitly or implicitly in modern aesthetic history and critical theory. It is the true meaning of aesthetics, the uniqueness of aesthetic behavior and the resonance of Chinese and Western aesthetic spirit.
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    1. [1]

      Xuguang LIU . “Judgment of Perfect” in Aesthetic and Its End. Academic Monthly, 2019, 51(6): 129-142.

    2. [2]

      YAO Wenfang . . Academic Monthly, 2018, 50(9): 140-148.

    3. [3]

      CHEN Bohai . . Academic Monthly, 2018, 50(8): 125-133.

    4. [4]

      Xiaoming CHEN . On the Aesthetic Connotation of “New Rational Spirit”. Academic Monthly, 2022, 54(11): 148-159.

    5. [5]

      . . Academic Monthly, 2016, 48(01): 127-138.

    6. [6]

      . . Academic Monthly, 2017, 49(08): 141-151.

    7. [7]

      . . Academic Monthly, 2017, 49(06): 5-11.

    8. [8]

      YAN Xianglin . . Academic Monthly, 2018, 50(7): 150-158.

    9. [9]

      Youfeng HU . The Aesthetic Appreciation of Nature: Subjective and Objective. Academic Monthly, 2021, 53(6): 183-194.

    10. [10]

      Xuguang LIU . Free Play - Free Pleasure. Academic Monthly, 2020, 52(6): 122-134.

    11. [11]

      bo FANG . Marx and German Romanticism. Academic Monthly, 2022, 54(2): 15-26.

    12. [12]

      ZHOU Xian . Empowerment of Aesthetic Education from the Cases of Great Scientists. Academic Monthly, 2023, 55(6): 140-149.

    13. [13]

      NAN Fan . Literary Criticism: Aestheticism and Its Historical Horizon. Academic Monthly, 2023, 55(11): 136-145.

    14. [14]

      . . Academic Monthly, 2017, 49(06): 12-16.

    15. [15]

      Xiangzhan CHENG . The Theory of Aesthetic Appreciation: The Unique Aesthetic Conception of Environmental Aesthetics and Its Promotion of Aesthetic Principles. Academic Monthly, 2021, 53(2): 151-159.

    16. [16]

      Kailiang Yu . Guoxiang’s Theory of Xuanming and the Metaphysical Way of the Creation of Aesthetic Yixiang. Academic Monthly, 2019, 51(2): 130-1.

    17. [17]

      . . Academic Monthly, 2016, 48(03): 90-103.

    18. [18]

      . . Academic Monthly, 2018, 50(01): 116-130.

    19. [19]

      . . Academic Monthly, 2019, 51(2): 137-1.

    20. [20]

      WANG Xiaosheng . How to View the Tendency of Materialism in Art Works—— Adorno’s Aesthetic Theory and Its Enlightenment. Academic Monthly, 2024, 56(1): 33-42.

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        On Ethereality of Aesthetic

        Abstract: There is a spiritual factor that can be felt but cannot be analyzed rationally in the aesthetic and artistic works, which is both emotional and general or likes both the state of mind of the viewer and the state of being of the object. Kant calls the indefinable but perceptible “spirit” as “aesthetic idea”. He got a preliminary interpretation to it, and then those who really have the capacity of aesthetic appreciation inherit the intuition and perception of this “spirit”, and regard it as the real object of aesthetics. Kant has initiated this aesthetic inspiration land, which gleams explicitly or implicitly in modern aesthetic history and critical theory. It is the true meaning of aesthetics, the uniqueness of aesthetic behavior and the resonance of Chinese and Western aesthetic spirit.

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